By David Caron
The deluge of metaphors brought on in 1981 in France through the 1st public stories of what may develop into the AIDS epidemic unfold with some distance better pace and potency than the virus itself. to appreciate why it took France goodbye to react to the AIDS quandary, AIDS in French Culture analyzes the intersections of 3 discourses—the literary, the scientific, and the political—and strains the starting place of French attitudes approximately AIDS again to nineteenth-century anxieties approximately nationhood, masculinity, and sexuality.
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Noter scrupuleusement les sensations et les actes de ces êtres. J’ai simplement fait sur deux corps vivants le travail analytique que les chirurgiens font sur les cadavres. (Oeuvres complètes, vol. 1, 520)] Later in his career, Zola further developed his theories in a longer essay entitled Le roman expérimental (The Experimental Novel), in which he systematized the idea that the novel should adopt the scientific method of modern medicine and attempt to cure society of its various ills. In Le roman expérimental, Zola proposes to read the theories of physiologist Claude Bernard, founder of what the latter termed “experimental medicine,” to establish the basis of a new language and a new literature.
In his preface to the second edition of Thérèse Raquin, his first major success, Emile Zola expounded his theory of the naturalist novel as a reply to the critics who had accused him of immorality. The novelist, he claims, must be like a doctor who observes certain phenomena and methodically writes down what he sees. As Zola explains: [M]y goal was primarily scientific. . Read the novel carefully, and you shall see that each chapter is a curious case study in physiology. In a word, I only had one desire: .
Heterosexuality was no longer the motor of the clan alone, but that of the whole nation. Significantly, after the disaster of 1870, it was against Germany’s perceived health that France would measure its own degradation. 19 Until the 1890s, when a wave of right-wing nationalism began to swell and the focus on the Jew consigned the homosexual to a supporting role, the latter remained the central figure in a discourse whose entire purpose was to identify an internal cause for the national collapse.
AIDS in French Culture: Social Ills, Literary Cures by David Caron