Art Crime: Terrorists, Tomb Raiders, Forgers and Thieves by Noah Charney PDF

By Noah Charney

ISBN-10: 1137407573

ISBN-13: 9781137407573

ISBN-10: 1349553700

ISBN-13: 9781349553709

Because the moment global warfare, artwork crime has shifted from a comparatively risk free, usually ideological crime, right into a significant overseas challenge, thought of via a few to be the third-highest grossing felony exchange around the world. This wealthy quantity good points essays on paintings crime by means of the main revered and an expert specialists during this interdisciplinary topic.

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Additional info for Art Crime: Terrorists, Tomb Raiders, Forgers and Thieves

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In fact, only Jeanette Spurzem received a lower than the maximum agreed sentence. Whether the lawyers did their clients a favor by concluding these “deals” remains questionable. It seems that it would have been very hard to prove that the accused actually committed the offenses, or at least which parts of the offenses were committed by whom. A trial might also have led to the possible exclusion of some of the counts, resulting in much lower sentences. However, as is often the case in the German criminal justice system the accused were not prepared to run the risk of failure.

51. Henry Keazor and Tina Öcal (eds) Der Fall Beltracchi und die Folgen: Interdisziplinäre Fälschungsforschung Heute (De Gruyter 2014). 52. Paraic O’Brien, “Portrait of an artist as a conman” Channel 4 News (16 April 2014). 53. Sabine Deckwerth und Andreas Kopietz, “Mord verjährt nicht, Kunstraub schon – Interview mit Kriminalhauptkommissar Allonge” Berliner Zeitung (29 December 2014). 54. Stefan Koldehoff and Tobias Timm, Falsche Bilder – Echtes Geld (Galiani 2012) 139, 253. 55. com/articles/WernerSpies-rehabilitated-with-Max-Ernst-show-in-Vienna/28493 accessed (5 September 2013).

According to the prosecution brief, Otto Schulte-Kellinghaus established the contacts to galleries in Paris, brought most of the paintings onto the market and received a commission of 20% per painting sold. He also established contact to the renowned art historian Werner Spies, self-proclaimed expert on the works of Max Ernst, who subsequently authenticated a fake Max Ernst produced by Wolfgang Beltracchi. Dorothea Hülsmeier, “Fälscher blamieren Experten” Westdeutsche Zeitung (2 September 2011); Sven Röbel and Michael Sontheimer, “Forgery Scandal Embarrasses International Art World” Spiegel Online (13 June 2011).

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Art Crime: Terrorists, Tomb Raiders, Forgers and Thieves by Noah Charney


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