By Angelica Zander Rudenstine
Choice from the George Costakis assortment, a useful source for students of paintings of the avant-garde in Russia. artwork historian Angelica Zander Rudenstines advent describes the Costakis Collections formation and critical info from George Costakiss biography. Margit Rowell reexamines yes premises approximately Russian and Soviet avant-garde paintings.
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Additional resources for Art of the Avant-garde in Russia: Selections from the George Costakis Collection
During this experience she worked on the set design for the Biomechanical production of The Magnanimous Cuckold, a play by the Belgian author Fernand Crommelynck which was presented in April 1922 49 (see cat. nos. 251-55. Popova's sets involve no images or illusionism. Her open linear frames, wheels, catwalk and slides — the barest skeletons of In 1921 a design course in his ) theater flats — are her attempt to replace accepted aesthetic traditions with a functional design, illus- props with real materials and structural ionistic patterns, backdrop conventions with platform for the actors.
Picasso's constructions, but of their which possess own. a V. Kliun Cubist at Her Dressing Table, ca. 1914-15 Mixed media, dimensions unknown, presumed to create figures that are in various ways evocative both of Archipenko's and of stylistic identity «i *I^B Kliun again achieves his effects b), (fig. f 1 It' Lrmk1 calls specific attention to the materiality of the sculpture while also introducing pictorially expressive juxta- in P V destroyed a strong 2 Both Landscape Rushing By and Cubist at Her Dressing Table were exhibited (together with fourteen other sculptures by Kliun) at the December 1915 tion.
F. Starr, hensive illustrated publication on the Costakis collection Obmokhu (in Costakis: Rudenstine, A. , and its history. Women Artists of the Russian Avant-Garde: CoGmurzynska, Women Artists of the logne, Galerie Russian Avant-Garde/ Kiinstlerinnen der russischen Avantgarde 1910-1930, 1979. OST Obshchestvo khudozhnikov-stankovistov (Society of Studio Artists) Petrosvomas Petrogradskie gosudarstvennye svobodnye khu- dozhestvennye masterskie (Petrograd State Free Art Studios) Proun Proekt utverzhdeniia novogo (Project for the Affir- mation of the New) Svomas Svobodnye gosudarstvennye kbudozhestvennye masterskie (Free State Art Studios) Unovis Utverditeli (also Utverzhdenie) novogo iskusstva (Affirmers [also Affirmation] of the New Art) Vkhutemas Vyssbie gosudarstvennye khudozhestvennotekhnicbeskie masterskie (Higher State Art- Technical Studios) Zorved Zorkoe vedanie (See-Know, sighted knowing") literally, "sharp- SHORT TITLES Bowk, Theory and Criticism: Bowlt, J.
Art of the Avant-garde in Russia: Selections from the George Costakis Collection by Angelica Zander Rudenstine