By Mary Caroline Richards
A flowing selection of poetry that also is a consultant for all times.
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Additional resources for Centering in pottery, poetry, and the person
As she puts it, "At the center, Christ, Atman, I and It'' (p. 138). But M. 's self-styled doctrine of acceptance is not only about accepting the divine light, but also the divine absence, the searing darkness, the infinite estrangement, the plunging emptiness. Her doctrine applies to the via negativa of the mystical way as well. She names the experience of entering the dark as well as any mystic ever has: I am brought to a crisis because I am committed to acceptance and to the suffering it entails.
As that new person, we may find, yes, that yesterday is over, and we do not perpetuate old confusions. We do not cling to the savagery of nationalisms, or the shame we feel for being as we are. We stand on the shore of an ocean and the pure wind blows us fresh and we wake out of an anguish of inner conflict into a deep breath that lets us rise to our feet and in a new levity we dance. It could be said that fidelity to the processes of Centering is a path to full breathing, to a balance willingly at risk.
And best of all we may find our sense of humor enormously expanded through the warmth of our heart center, that deepset crossing point. One last testimony to the metabolism of Centering. It is new! It brings us what we don't already know. We have not seen it face to face, but we have had sightings. They have come through language with an alteration in the traditional roles of poetry and prose. I do not think now about which one I am writing in, except when my soul begins Page xxiv to feel as if there is too much light, too much clarity, too much illusion of meaning, of earnestness, too much spiritand then I dive for cover, for dark, for wet, and come up moistened and renewed, and speaking (or singing) a different tone.
Centering in pottery, poetry, and the person by Mary Caroline Richards