Creating Crystal Jewelry with Swarovski: 65 Sparkling - download pdf or read online

By Laura McCabe

ISBN-10: 158923345X

ISBN-13: 9781589233454

Based, old-world jewellery with smooth style.Working with world-famous Swarovski crystal beads, writer Laura McCabe creates luminous necklaces, rings, pendants, and earrings for beaders of each ability point. the writer offers whole step by step guideline for 20 tasks (10 for newcomers) -- and offers forty five extra in a photograph gallery of layout diversifications, instructing readers find out how to fluctuate colours and shapes to create customized results. All sixty five designs are made with in basic terms 3 uncomplicated beadwork ideas: flat peyote sew, tubular peyote sew, and spiral rope. Laura McCabe additionally offers a bankruptcy on making ornamental gildings, equivalent to bezels, picots, berry clusters, and department fringe. The concise directions are illustrated with easy-to-follow illustrations. Beaders of any ability point can create their very own high-end, boutique-style jewelryGoes past stringing to coach readers 3 simple beadweaving options and rules of designOnly publication on industry counseled by means of the worldÆs prime producer of cut-crystal beads

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Extra info for Creating Crystal Jewelry with Swarovski: 65 Sparkling Designs with Crystal Beads and Stones

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Crazing. Spider radius bullnose web cracking that occurs on the glaze surface as a result of tension between the glaze and the clay body. Cuerda seca. Meaning “dry line,” a Spanish method of applycove base ing glazes that are separated by a fine line of wax resist. The wax burns off during firing, keeping the glaze separate and the clay exposed. Delft tile. A well-known traditional white and blue tile originally produced in Holland. Dot. A dot often refers to a 2" to 3" tile that is placed in a field of larger tiles.

As they start to touch, the clay becomes leather-hard. There is still sufficient water to allow you to reshape the clay. 3. As the gaps between the clay particles close, it becomes more difficult for the water to migrate to the surface. It is at this point that the drying process starts to slow down. 4. Here the particles have only the smallest amount of water between them. The clay is airdried. the country about their drying methods. They’ve experimented with a variety of techniques with different levels of success.

Remember that a carved tile will be cast, so its firing range or color is not an issue. (You don’t want to carve in red clay if you intend to press using white clay. ) A smooth body stoneware makes a good carving clay. Roll out a slab of clay and let it sit uncovered until the clay is leather-hard (usually about half a day). Keeping it uncovered will get the clay past most of its shrinkage. If you carve on a slab right after rolling it out, it will shrink before you can finish and cast the tile and this shrinkage will affect its final firing size.

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Creating Crystal Jewelry with Swarovski: 65 Sparkling Designs with Crystal Beads and Stones by Laura McCabe


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